rehearsal #7 on march 11
Reviewed selection #'s: 17, 14, 13, & 19
Focused on selection #'s: 18, 4, 1, 10, & 15
Next weeks focus #s: 8, 5, 16, 12, & 6
NOTICE: We still need a backup accompanist . Please let the music director know if you happen to know of someone that can help out as assistant accompanist
Those that may be interested in trying out for one or more of the line solos or a feature look for and sign up on the respective sign-up sheets that will be on a table in the rehearsal room. Some folks have already signed up but there is still plenty of time for those that are interested to sign up before the tryouts on Monday, April 1st.
Some music reading basics:
ppp - pianississimo: extremely soft
pp - pianissimo: very soft
p - piano: soft
mp - mezzo piano: moderately soft (normal speaking)
mf - mezzo forte: moderately loud
f - forte: loud
ff - fortissimo: very loud
fff - fortississimo: extremely loud
pppp, ppppp, ffff, and fffff are markings that are rarely if every used in choral music that suggest two further degrees of softness or loudness respectively
cresc. - crescendo: gradually growing louder (usually from the current to the next higher degree of volume)
decresc or decr.. - decrescendo: gradually growing softer (usually from the current to the next lower degree of volume)
dim. or dimin. - diminuendo: same as decrescendo.
poco a poco - little by little. May also be associated with a tempo change.
The rehearsals for the WCC Spring 2019 "Pop Music Icons" concert season began Monday, January 28, 2019 7:30 pm. The music for this concert season has been finalized and is made up of a random selection of songs once recorded by Pop Music Icons. Samples of the music are available now here on the WCC website under the "Songs we're singing" for you to preview and enjoy.
Auditions are not required to join the choir. Please arrive early (7:00 pm) to register for membership and to meet with your friends both old and new. Everyone who wishes to participate including former members must register even if you sang last season. You may take the music home with you after rehearsal if you have registered and paid your membership registration fee otherwise you must turn the music in before you leave when the rehearsal is concluded. Another benefit of paying your registration fee entitles you to receive a free sample recording on a CD of all the concert music we will be singing this season. If you wish to have a copy of the music samples placed on a UCB thumb drive bring your own thumb drive with your name on it and give it to the director who will then copy the music to the drive for you and then return it to you.
Registered members should write the selection numbers on the front of each piece as indicated below or from the Concert Order document that you will also receive. The reason for this is that after the first rehearsal the music will very likely not be worked on in order. This will allow the music to be apportion allowing rehearsal time to be as even as possible. Numbering the selections will make it easier to quickly find what you need during the rehearsal. If we happen to run out of music packets more music will be ordered, and it should arrive within a week to ten days.
Full sample recordings of all the songs on our concert program are available on this website under "Songs We're Singing" and on a sample music CD that will be provided once you have registered. Optionally you may have the music copied to a UCB thumb drive that you must provide. The following is a listing of the songs in concert order of the choir selections.
1. Dancing Queen
2. When We Were Young
3. Dream On
4. God Only Knows
5. Wabash Cannonball
6. I Say a Little Prayer
7. Heartache Tonight
8. Somebody Loves Me
9. Let Me Be There
10. I’ll Be There
11. Great Balls of Fire
12. You Raise Me Up
15. I Lived
16. A Change Is Gonna’ Come
17. Against the Wind
18. Sixteen Tons
19. (I’ve Had) The Time of My Life
All selections will be directed by the Resident Musical Director Lee Irwin Culbreth or the Assistant Director George Boyd
Just a little discussion about rehearsal etiquette. First of all we do want you to have fun and enjoy yourself during the rehearsal but keep in mind that the primary reason for being there is to sing not talk. So, for that reason you are strongly encouraged to come early to make and visit with friends before the rehearsal begins. You also have an opportunity to visit during the break and immediately following the rehearsal. Once the rehearsal begins please do not talk particularly immediately after the director stops the music to make a comment. Frequently a lot of people will blurt out comments which are lost in the clamor of noise as several people try to speak at once. Best practice is if you have a question or have an additional comment to make about the music please wait to be recognized by the director. Just a reminder from your perspective it may not seem disruptive if you begin to speak to your neighbor softly but in fact no matter how quietly you speak it impacts the noise level in the room even if you speak very softly and the more people that speak at the same time the louder the noise level gets. So once again please quell the urge to talk while the rehearsal is in progress.
Thank you for your cooperation.
Line solo and feature tryouts
Many of the selections on the program have an indicated solo, duet, and small group opportunities. It is not required but highly recommended that these be memorized. These will be filled by people willing to tryout in an audition process and that have been selected by a panel of peer judges. Ideally there will be a primary and a backup for each solo voice part chosen from those who tryout and are given the highest number of votes from the peer judges. Until such time as a selection has been made or if no suitable candidate is selected through the audition process the line solos are to be sung by the appropriate voice section within the choir.
Selections with line solos:
#1 - Small group 3-4
#3 - Solo any voice and Small group
#5 - Duet m/f
#6 - Solo #1, Solo #2 & S/T duet
#10 - Solo any voice & group of Sops
#13 - Sop Descant
#14 - Solo any voice
#15 - Solo #1 F voice, Solo #2 M voice, and Solo #3 F voice
#16 - Solo #1 F voice, solo #2 M voice
#17 - 1 or 2 Solos any voice
#18 - Bass solo & Sop Descant
#19 - M solo & F solo
A Feature may be a single voice or any size ensemble of voices and may include special instrumental accompaniment. As with Line Solos, Features will be selected through the audition process. Vocal parts of Features must be fully memorized. Due to the combined length of the choir selections on the program Features for this concert will be limited based on the total length of the Feature selections submitted. A Feature must be unique and not a repeat of one of the choral selections or another Feature. It must have been recorded by a unique iconic solo artist or group not being done by the full choir. Sign-up sheets will be available in rehearsals beginning in March where you will be able to select a date in April to audition.
During the weeks prior to the audition for Line Solos any and all that have an interest may sing the solo lines during rehearsal. Apart from that each candidate and in particular those interested in trying out for a Feature is responsible for preparation on their own time. Feature candidates are responsible for arranging time to meet with the primary accompanist or accompanist of your own choosing. Line Soloist are responsible for coordinating time with either the primary or other accompanist to work with them on their Line Solos.
Auditions will be held on the specified date indicated in the schedule of events following a shortened rehearsal. Please note that the auditions frequently go much later than the normal rehearsal ending time. If there are extenuating circumstances that would prevent you from participating in the audition on the indicated date contact the Resident Musical Director in advance for approval to audition on the week following the scheduled audition date. The scheduled audition may possibly be extended into the following week if the audition process begins to run too late. All candidates are judged by a panel of volunteer peer judges. The final decisions for Line Solos will be made by the Director that is conducting that selection on the program and will be based on tally results from peer judges. The decision for Features will be made by the Resident Director and will be based on the results of the peer judges tally sheets within the limits of the allotted time for Features. In some cases a candidate may be tagged by the musical director for a Line Solo that they did not audition for based on their audition results for another Line Solo.
Any member of the WCC choir may volunteer to serve as a peer judge except those that will be auditioning. Those trying out for a Line Solo but not a Feature may serve as a peer judge for Feature tryouts only. Likewise anyone trying out for a Feature but not a Line Solo may serve as a peer judge for Line Solos only. Peer judges will be expected to participate for the full session however late that might be to include the extended week if necessary. A tally sheet will be provided to each peer judge. There will be space on the tally sheets to allow you to add notes about each audition that may help you decide later how to rank them. At the very least the peer judge will be expected to rank each candidate for a specific Line Solo as a 1 for the candidate they believe is the best choice, 2 for the second best choice, 3 and so forth for all remaining candidates for the specific Line Solo. For Feature auditions the candidates are expected to be superlative and not just average or worse. In a manner similar to Line Solo auditions rank each Feature candidate as they compare to all other candidates. One final thought on judging the candidates we do not necessarily have to have a Line Solo or a Feature. If you feel a candidate is not outstanding just leave the ranking blank. We are looking for something that will wow or at least impress the audience not just fill a spot just for the sake of filling a spot.